Mustafa Kemal Atat\u00fcrk\u2019\u00fcn naa\u015f\u0131 Etnografya M\u00fczesi\u2019nden An\u0131tkabir\u2019e ta\u015f\u0131n\u0131rken seslendirilen Atat\u00fcrk Oratoryosu\u2019nun bestecisidir. G\u0131lgam\u0131\u015f Operas\u0131, Van Gogh Operas\u0131, H\u00fcrrem Sultan Balesi tan\u0131nm\u0131\u015f eserlerinden baz\u0131lar\u0131d\u0131r.<\/p>\n
Cumhuriyet d\u00f6neminin en \u00f6nemli yap\u0131tlar\u0131ndan biri olarak an\u0131lan bu eserin maceras\u0131 K\u00f6y Enstit\u00fcleri\u2019nin kapat\u0131lmas\u0131yla ba\u015flad\u0131. K\u00f6y Enstit\u00fcs\u00fc\u2019nde yeti\u015fmi\u015f bir m\u00fczisyen olan Nevit Kodall\u0131 esere ili\u015fkin hislerini \u015f\u00f6yle kaleme alm\u0131\u015ft\u0131:<\/strong><\/p>\n \u201cAtat\u00fcrk\u2019\u00fcn a\u00e7t\u0131\u011f\u0131 bir okulda yeti\u015fmi\u015f ve onun yolunda ayd\u0131nlanm\u0131\u015f bir gen\u00e7 olarak, kendisine bu kez daha kapsaml\u0131, kal\u0131c\u0131 bir \u015f\u00fckran borcunu yerine getirecektim. \u00d6yle bir eser yazmal\u0131yd\u0131m ki hem i\u00e7erik olarak Atat\u00fcrk\u2019e borcumuzu \u00f6demeli, hem de yap\u0131 olarak destans\u0131 bir forma sahip olmal\u0131yd\u0131.\u201d Kodall\u0131 b\u00f6ylelikle, K\u00f6y Enstit\u00fcs\u00fc\u2019nde \u00f6\u011fretmen olan Cahit K\u00fclebi\u2019den destans\u0131 \u00f6zellikler ta\u015f\u0131yan ve oratoryaya uygun bir \u015fiir yazmas\u0131n\u0131 rica etti. Beklenen \u015fiir 1950 y\u0131l\u0131nda \u015fu notla birlikte geldi: \u201cNevit, sana Atat\u00fcrk\u2019\u00fc yolluyorum, Tanr\u0131\u2019ya \u00e7ok kesinti yapmaman i\u00e7in dua ediyorum.\u201d \u015eiirin ad\u0131 \u2018Atat\u00fcrk Kurtulu\u015f Sava\u015f\u0131\u2019nda\u2019yd\u0131.<\/p>\n Ya\u015fam\u0131<\/strong> Konservatuvar Y\u0131llar\u0131<\/strong> Paris\u2019teki e\u011fitimi<\/strong> Paris\u2019te \u00e7ok verimli bir d\u00f6nem ge\u00e7iren Kodall\u0131\u2019n\u0131n 1946\u2019da besteledi\u011fi orkestra suiti, 1948\u2019de Prag Senfoni Orkestras\u0131 taraf\u0131ndan seslendirildi. Paris\u2019te tamamlad\u0131\u011f\u0131 \u201c1. Senfoni\u201d, 1950\u2019de Ankara\u2019da Cumhur Filarmoni Orkestras\u0131 taraf\u0131ndan, 1949\u2019da yine Paris\u2019te \u015fan ve piyano i\u00e7in besteledi\u011fi \u201cPastiches\u201d (Benzetmeler) adl\u0131 eseri Ayd\u0131n G\u00fcn taraf\u0131ndan Paris Radyosu\u2019nda, \u201cYayl\u0131 \u00c7alg\u0131lar i\u00e7in Sinfonietta\u201d adl\u0131 eseri 1950\u2019de Darmstad Opera Orkestras\u0131 taraf\u0131ndan seslendirildi. Hocas\u0131 Ferhunde Erkin\u2019e ithaf etti\u011fi piyano eserini 1950 y\u0131l\u0131nda tamamlayan besteci, Atat\u00fcrk i\u00e7in bir oratoryo besteleme d\u00fc\u015f\u00fcncesi ile konservaturda edebiyat \u00f6\u011fretmeni olan Cahit K\u00fclebi\u2019den bir oratoryo metni istedi. Paris\u2019teki \u00f6\u011frencilik d\u00f6neminin sonunda kendisine ula\u015fan metni bestelemeyi 1951 sonlar\u0131nda tamamlad\u0131.<\/p>\n T\u00fcrkiye\u2019ye D\u00f6n\u00fc\u015f\u00fc<\/strong> 1954 y\u0131l\u0131nda Yap\u0131 Kredi Bankas\u0131\u2019n\u0131n a\u00e7t\u0131\u011f\u0131 yar\u0131\u015fmay\u0131 \u015fan ve piyano i\u00e7in besteledi\u011fi \u201c2 Lied\u201d adl\u0131 eseri ile kazand\u0131. Ayn\u0131 y\u0131l Orhan Asena\u2019n\u0131n G\u0131lgam\u0131\u015f Destan\u0131\u2019ndan esinlenerek yazd\u0131\u011f\u0131, C\u00fcneyt G\u00f6k\u00e7er\u2019in sahneye koydu\u011fu \u201cTanr\u0131lar ve \u0130nsanlar\u201d adl\u0131 tiyatro eserine sahne m\u00fczi\u011fi yazd\u0131. O y\u0131l ayr\u0131ca Ankara Devlet Opera ve Balesi\u2019nde orkestra \u015fefi olarak g\u00f6rev yapt\u0131.<\/p>\n 1955 y\u0131l\u0131nda Ankara Devlet Konservatuvar\u0131\u2019ndaki g\u00f6revinden ge\u00e7ici olarak izin ald\u0131 ve Ankara Devlet Tiyatrosu\u2019nda \u00e7al\u0131\u015fmaya ba\u015flad\u0131. Bu kurumdaki g\u00f6revi s\u0131ras\u0131nda 250\u2019yi sahne m\u00fczi\u011fi yazarak bunlar\u0131n seslendirilmesini \u00fcstlendi. Bu \u00e7al\u0131\u015fmalar ona opera bestelemek i\u00e7in gerekli deneyimi kazand\u0131rd\u0131.<\/p>\n 1955 \u2013 1991 y\u0131llar\u0131 aras\u0131nda Ankara Devlet Opera ve Balesi\u2019nde orkestra \u015fefli\u011fi yapt\u0131. Operada idari g\u00f6revler de ald\u0131. 1971 \u2013 1981 y\u0131llar\u0131 aras\u0131nda Devlet Balesi\u2019nde y\u00f6netmenlik yapt\u0131.<\/p>\n Bestecilik \u00c7al\u0131\u015fmalar\u0131<\/strong> 1960 y\u0131l\u0131nda Olcay \u015e\u0131hman ile evlendi. Bu evlilikten Nihat (1962) ve Murat (1967) adl\u0131 iki o\u011flu d\u00fcnyaya geldi. Nihat Kodall\u0131 t\u0131p doktoru olurken, Murat Kodall\u0131 babas\u0131 gibi meslek olarak m\u00fczi\u011fi se\u00e7ti.<\/p>\n G\u0131lgam\u0131\u015f Operas\u0131\u2019n\u0131 1960 y\u0131l\u0131nda bestelemeye ba\u015flayan Kodal\u0131, 1963 y\u0131l\u0131nda eseri tamamlad\u0131; 1964 y\u0131l\u0131nda ilk sahneleni\u015fi ger\u00e7ekle\u015fti.<\/p>\n 1967\u2019de tekrar \u00e7alg\u0131 m\u00fczi\u011fine y\u00f6neldi. \u201c\u0130kinci Yayl\u0131 Sazlar Kuvarteti\u201d\u2019ni ve Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131\u2019n\u0131n sipari\u015fi \u00fczerine \u201cTelli Turna Suiti\u201d\u2019ni besteledi.<\/p>\n \u201cEbru\u201d adl\u0131 piyano kanteti (1971), \u201cAn\u0131tkabir\u201d ve \u201dSultanahmet\u201d adl\u0131 ses ve \u0131\u015f\u0131k g\u00f6sterileri i\u00e7in m\u00fczikler (1972), \u201cG\u00fczelleme Suiti\u201d (1973), \u201cCumhuriyet Kantat\u0131\u201d (1973), \u201cH\u00fcrrem Sultan Balesi\u201d (1976) , \u201cViyolensel Kon\u00e7ertosu\u201d (1983) \u00e7alg\u0131 m\u00fczi\u011fi alan\u0131ndaki ba\u015fl\u0131ca yarat\u0131lar\u0131d\u0131r.<\/p>\n 2001 y\u0131l\u0131nda A.Kadir Paksoy\u2019un Hac\u0131 Bekta\u015f Destan\u0131 \u00fczerinde \u00e7al\u0131\u015fmaya ba\u015flad\u0131 ise de, bu oratoryo \u00e7al\u0131\u015fmas\u0131 yar\u0131m kalm\u0131\u015ft\u0131r.<\/p>\n Son Y\u0131llar\u0131<\/strong> Emekli olduktan sonra Mersin\u2019e yerle\u015ferek \u00c7ukurova Devlet Konservatuvar\u0131\u2019nda dersler verdi ve Mersin Filarmoni Derne\u011fi\u2019nin dan\u0131\u015fmanl\u0131\u011f\u0131n\u0131 yapt\u0131. Sanat\u00e7\u0131, 1997\u2019de Sevda-Cenap And Vakf\u0131 taraf\u0131ndan \u201cOnur \u00d6d\u00fcl\u00fc Alt\u0131n Madalyas\u0131\u201d ile \u00f6d\u00fcllendirildi. Erdo\u011fan Okyay taraf\u0131ndan hakk\u0131nda \u201cNevit Kodall\u0131: T\u00fcrk\u00fclerden Oratoryoya\u201d (1998), Evin \u0130lyaso\u011flu taraf\u0131ndan Mersin\u2019den Y\u00fckselen \u00c7a\u011fda\u015f Bir Ses: Nevit Kodall\u0131 adl\u0131 kitap yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n 01 Eyl\u00fcl 2009\u2019da kalp krizi nedeniyle hayat\u0131n\u0131 kaybetti. Cenazesi, Mersin Asri Mezarl\u0131\u011f\u0131\u2019na defnedildi.<\/p>\n Mersin G\u00fczel Sanatlar Lisesi\u2019ne bestecinin ad\u0131 verilmi\u015ftir. Mersin Polifonik Korolar Derne\u011fi taraf\u0131ndan 1998\u2019den bu yana d\u00fczenlenen \u00c7oksesli Korolar Festivali, Nevit Kodal\u0131\u2019n\u0131n ad\u0131n\u0131 ta\u015f\u0131r.<\/p>\n Kazand\u0131\u011f\u0131 \u00d6d\u00fcller<\/strong> Ba\u015fl\u0131ca Yap\u0131tlar\u0131<\/strong> Orkestra Eserleri ve Kon\u00e7ertolar<\/strong> Oda M\u00fczi\u011fi ve Koro Eserleri<\/strong>
\n12 Ocak 1925\u2019te Mersin\u2019de d\u00fcnyaya geldi. Be\u015f \u00e7ocuklu bir ailenin en k\u00fc\u00e7\u00fc\u011f\u00fc idi. Annesi Giritli bir ailenin k\u0131z\u0131 olan Melek Han\u0131m, babas\u0131 Ziraat Bankas\u0131 m\u00fcd\u00fcr\u00fc R\u0131fat Bey\u2019dir. \u0130lk m\u00fczik derslerini keman ve viyolensel \u00e7alan a\u011fabeyi Hayri Kodall\u0131\u2019dan ald\u0131. Ortaokuldaki m\u00fczik \u00f6\u011fretmeni \u0130rfan Sermer m\u00fczik yetene\u011finin geli\u015fmesine katk\u0131da bulundu.<\/p>\n
\nOrtaokulu Mersin\u2019de bitiren Nevit Kodall\u0131, 1939 y\u0131l\u0131nda Ankara Devlet Konservatuvar\u0131 Kompozisyon b\u00f6l\u00fcm\u00fcne girdi. Necil Kaz\u0131m Akses ile kompozisyon, Ferhunde Erkin\u2019le piyano, Ernst Preatorius ve Hasan Ferit Alnar\u2019la teori ve m\u00fczik tarihi \u00e7al\u0131\u015ft\u0131. Beste yapmaya konservatuvardaki \u00f6\u011frencilik y\u0131llar\u0131nda ba\u015flayan Kodall\u0131\u2019n\u0131n bir konserde seslendirilen ilk eseri 1942 y\u0131l\u0131nda konservatuvaron son s\u0131n\u0131f\u0131nda iken piyano i\u00e7in yazd\u0131\u011f\u0131 ve ayn\u0131 y\u0131l B\u00fclent Arel taraf\u0131ndan seslendirilen \u201cBallad\u201d\u2018d\u0131r. \u00d6\u011frencilik y\u0131llar\u0131nda piyanonun yan\u0131 s\u0131ra viyola, alto saksafon ve ba\u011flama \u00e7almay\u0131 \u00f6\u011frendi[1]. Ancak as\u0131l \u00e7alg\u0131s\u0131 piyano idi ve ilk bestelerini de piyano i\u00e7in besteledi. 1945 y\u0131l\u0131nda s\u0131n\u0131f atlama s\u0131nav\u0131 i\u00e7in besteledi\u011fi \u201cYayl\u0131 \u00c7alg\u0131lar \u0130\u00e7in Alt\u0131l\u0131\u201d, ertesi y\u0131l Ankara Radyosu\u2019nda seslendirildi. \u00d6\u011frencili\u011fi s\u0131ras\u0131nda besteledi\u011fi eserler aras\u0131nda b\u00fcy\u00fck senfoni i\u00e7in \u201cDo Maj\u00f6r Senfoni\u201d (1946), yedi \u015fiir \u00fczerine yazd\u0131\u011f\u0131 \u201c7 poem\u201d (1947) adl\u0131 eserler yer al\u0131r.<\/p>\n
\nKonservatuvar\u0131n ileri devresini 1947\u2019de bitiren besteci, 1948\u2019de Milli E\u011fitim Bakanl\u0131\u011f\u0131\u2019n\u0131n a\u00e7m\u0131\u015f oldu\u011fu Avrupa Konkuru\u2019nu birincilikle kazand\u0131 ve devlet bursuyla Fransa\u2019ya g\u00f6nderildi. Paris\u2019te Ecole Normale\u2019de Musique\u2019de Arthur Honegger\u2019in kompozisyon, Jean Fornet\u2019nin orkestra \u015fefli\u011fi \u00f6\u011frencisi olarak \u00e7al\u0131\u015fan Kodall\u0131, ayr\u0131ca Nadia Boulanger\u2019den \u00f6zel dersler ald\u0131.<\/p>\n
\nKodall\u0131, 1953 y\u0131l\u0131nda T\u00fcrkiye\u2019ye d\u00f6nd\u00fc ve Ankara Devlet Konservatuvar\u0131\u2019nda kompozisyon \u00f6\u011fretmenli\u011fine getirildi. O y\u0131l, Atat\u00fcrk\u2019\u00fcn naa\u015f\u0131n\u0131n Etnografya M\u00fczesi\u2019nden An\u0131tkabir\u2019e nakli t\u00f6renlerinde Cahit K\u00fclebi\u2019nin bir \u015fiiri \u00fczerine besteledi\u011fi Atat\u00fcrk Oratoryosu ilk kez seslendirildi. 1994 y\u0131l\u0131nda kadar g\u00f6rev yapt\u0131\u011f\u0131 konservatuvarda \u00f6\u011fretmen olarak \u00e7a\u011fda\u015f T\u00fcrk kompozit\u00f6rlerden Do\u00e7.Turgay Erdener ba\u015fta olmak \u00fczere bir\u00e7ok \u00fcnl\u00fc bestecinin yeti\u015fmesini sa\u011flad\u0131. 1989 \u2013 1993 aras\u0131nda okulun m\u00fczik ve m\u00fczikoloji b\u00f6l\u00fcm\u00fc ba\u015fkanl\u0131\u011f\u0131 yapt\u0131.<\/p>\n
\nBesteci, ilk \u00f6zg\u00fcn operas\u0131 Van Gogh\u2019u 1956\u2019da tamamlad\u0131. Eser, 1957\u2019de sahnelendi. 1958\u2019de Antigone adl\u0131 tiyatro eseri i\u00e7in bale-pandomim m\u00fczi\u011fi yazd\u0131; ancak eser sahnelenmedi.<\/p>\n
\n1981 y\u0131l\u0131nda Devlet Sanat\u00e7\u0131s\u0131 unvan\u0131 verilen Nevit Kodall\u0131, 1985 y\u0131l\u0131nda profes\u00f6rl\u00fc\u011fe y\u00fckseldi. 1980 y\u0131l\u0131ndan itibaren \u00c7ukurova \u00dcniversitesi b\u00fcnyesinde Kompozisyon B\u00f6l\u00fcm\u00fc Kurulmas\u0131 i\u00e7in \u00e7abalad\u0131 ve 1989\u2019da b\u00f6l\u00fcm\u00fcn a\u00e7\u0131lmas\u0131n\u0131 sa\u011flad\u0131. Ayn\u0131 y\u0131l Ankara\u2019da Polifonik Korolar Derne\u011fi\u2019ni kurdu.<\/p>\n
\nFransa\u2019n\u0131n edebiyat ve g\u00fczel sanatlar alan\u0131nda sunulan \u201cOfficier\u201d ni\u015fan\u0131
\n1981 y\u0131l\u0131nda \u201cDevlet Sanat\u00e7\u0131s\u0131\u201d unvan\u0131
\n1997\u2019de Sevda-Cenap And M\u00fczik Vakf\u0131\u2019n\u0131n \u201cOnur \u00d6d\u00fcl\u00fc Alt\u0131n Madalyas\u0131\u201d
\nAnadolu \u00dcniversitesi Fahri doktora
\nCumhuriyet \u00dcniversitesi Fahri doktora<\/p>\n
\nOratoryo ve Kantat<\/strong>
\n1950 \u2013 1952 \u201cOp. 13 Atat\u00fcrk Oratoryosu\u201d, soprano, tenor, bariton, koro ve b\u00fcy\u00fck orkestra i\u00e7in, Cahit K\u00fclebi\u2019nin \u015fiiri \u00fczerine, \u0130lk seslendirme: Ankara Devlet Operas\u0131 Solistleri ve Hans Herner y\u00f6netimindeki Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131.
\n1973 \u201cOp. 25 Cumhuriyet Kantat\u0131\u201d, solo tenor, koro ve orkestra i\u00e7in, ilk seslendirme: Hikmet \u015eim\u015fek y\u00f6netimindeki Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131. Solist: Cemil S\u00f6kmen
\nOpera ve Bale M\u00fczi\u011fi
\n1954 \u2013 1956 \u201cOp. 16 Van Gogh\u201d, be\u015f perde; solistler, koro ve orkestra i\u00e7in, ilk temsil: Ankara Devlet Operas\u0131, \u015fef: Kodall\u0131.
\n1962 \u2013 1964 \u201cOp. 19 G\u0131lgam\u0131\u015f\u201d, d\u00f6rt perde; solistler, koro ve orkestra i\u00e7in, Orhan Asena\u2019n\u0131n librettosu \u00fczerine; ilk temsil: Ankara Devlet Opera ve Balesi, \u015fef: Kodall\u0131.
\n1958 \u201cOp. 17 Antigone\u201d, b\u00fcy\u00fck orkestra i\u00e7in,
\n1976 \u201cOp. 27 H\u00fcrrem Sultan\u201d, b\u00fcy\u00fck orkestra i\u00e7in, ilk seslendirme: Ankara Devlet Opera ve Balesi Orkestras\u0131, \u015fef: Nevit Kodall\u0131<\/p>\n
\n1946 \u201cOp. 5 Suit\u201d, ilk seslendirme: Hans Rosbau y\u00f6netimindeki Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131
\n1948 \u201cOp. 9 Sinfonia (do maj\u00f6r), ilk seslendirme: Hans Rosbau y\u00f6netimindeki Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131
\n1969 \u201cOp. 22 Telli Turna\u201d, k\u00fc\u00e7\u00fck orkestra i\u00e7in \u201csuit\u201d, ilk seslendirme: Hikmet \u015eim\u015fek y\u00f6netimindeki Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131
\n1980 \u201cOp. 24 Ebru\u201d, \u201ckentet\u201din orkestra d\u00fczenlemesi, ilk seslendirilme: Hikmet \u015eim\u015fek y\u00f6netimindeki C.S.O. solist: G\u00fclay U\u011furata
\n1974 \u201cOp. 26 G\u00fczelleme\u201d, k\u00fc\u00e7\u00fck suit, ilk seslendirme: Ankara Halkevi Orkestras\u0131
\n1983 \u201cOp. 28 Viyolonsel Kon\u00e7ertosu\u201d, ilk seslendirme: Hikmet \u015eim\u015fek y\u00f6netimindeki C.S.O. solist: Ali Do\u011fan<\/p>\n
\n1945 \u201cOp. 3 Passacaglia ve fugue\u201d, yayl\u0131lar orkestras\u0131 i\u00e7in
\n1945 \u201cOp. 4 Sextet\u201d, yayl\u0131 \u00e7alg\u0131lar i\u00e7in, ilk seslendirme: Ankara Radyosu, Orhan Borar, Fethi Kopuz, Behzat \u015ear\u0131l, Naci Bolgi, Nusret Kayar, Enver Kak\u0131c\u0131
\n1947 \u201cOp. 8 Kuartet No:1\u201d, yayl\u0131lar i\u00e7in, ilk seslendirme: Tibor Varga Kuarteti, Darmstadt
\n1949 \u201cOp. 10 Sinfoniette\u201d, yayl\u0131lar orkestras\u0131 i\u00e7in, ilk seslendirme: Darmstadt Tiyatro Orkestras\u0131, \u015eef: Herman Scherchen
\n1954 \u201cOp. 15 Poema\u201d, solo keman i\u00e7in, ilk seslendirme: Lico Amar, \u0130svi\u00e7re Radyosu
\n1966 \u201cOp. 21 Kuartet No:2\u201d, yayl\u0131lar i\u00e7in, ilk seslendirme: Suna Kan, Ulvi Y\u00fcvelen, Ru\u015fen G\u00fcne\u015f, Do\u011fan Cangal
\n1971 \u201cOp. 23 Ebru\u201d, piyanolu be\u015fli, ilk seslendirme: Viyana Solistleri
\n1962 \u201cOp. 20 Be\u015f Halk T\u00fcrk\u00fcs\u00fc\u201d, ilk seslendirme: Ankara Devlet Opera Korosu
\n\u015ean ve Piyano Eserler
\n1946 \u201cOp. 7 Yedi \u015eark\u0131\u201d ilk seslendirme: Evin \u00d6rge, B\u00fclent Arel
\n1949 \u201cOp. 11 Pastiches\u201d ilk seslendirme: Radyo Paris, Solist: Ayd\u0131n G\u00fcn
\n1954 \u201cOp. 14 iki \u015fark\u0131\u201d ilk seslendirme: Cemil S\u00f6kmen
\n1958 \u201cOp. 18 Garip \u015eark\u0131lar Alb\u00fcm\u00fc\u201d ilk seslendirme: Selim \u00dcnokur ve Nevit Kodall\u0131
\n1942 \u201cOp. 1 Ballad\u201d, ilk seslendirme: B\u00fclent Arel
\n1945 \u201cOp. 2 Piyano i\u00e7in Par\u00e7alar\u201d ilk seslendirme: Nevit Kodall\u0131
\n1950 \u201cOp. 12 Sonat\u201d ilk seslendirme: Nevit Kodall\u0131
\n1946 \u201cOp. 6 Ostinato\u201d, \u00e7ocuklar i\u00e7in ilk seslendirme: Nevit Kodall\u0131
\n(Nevit Kodall\u0131\u2019n\u0131n ayr\u0131ca 250 dolay\u0131nda tiyatro m\u00fczi\u011fi, \u00e7ok say\u0131da mar\u015f ve \u00e7ocuk \u015fark\u0131s\u0131 vard\u0131r.)<\/p>\n